เครื่องผสมสัญญาณเสียงแบบดิจิตอล MIDAS PRO1/TP Digital Mixer (มีกล่องแร็ค)
เครื่องผสมสัญญาณเสียงแบบดิจิตอล Midas Pro1 TP สำหรับงานทัวร์ริ่ง งานคอนเสริต์ (Touring Package) พร้อมกล่องแร็ค Live Digital Console with 48 Input Channels, 24 MIDAS Microphone Preamplifiers, 27 Mix Buses, 96 kHz Sample Rate and Touring Grade Road Case
The PRO1 Live Audio System from Midas features a lightweight aluminum frame and field-replaceable power supply for Midas digital consoles. The PRO1 standalone console is easy to configure and operate. Engineers who are new to Midas digital consoles can relax, enjoy the PRO1’s sample-synchronous audio quality, and mix from well within their comfort zone. Engineers already familiar with Midas can just load their existing show file straight into the PRO1, regardless of which Midas digital console it was created on, and carry on working.
This standalone mixing system has 24 mic inputs on the rear of the frame. The 3 AES50 ports can be used to increase the mic input count up to 96 by connecting additional hardware. In addition to the PRO1’s 40 primary input channels, it also features 8 AUX returns, all of which feature 4-band Midas parametric EQ and insert points. These 8 AUX returns can be used as returns for the PRO1’s internal FX processors, or as additional mic channels if sufficient mic inputs are available on the I/O hardware.
A total of 48 input channels have free routing to 27 phase-coherent mix buses, which comprise 16 user-configurable buses (mixes, subgroups, or mix minus groups), and 8 matrix buses. The matrix buses source from inputs, as well as groups, and so can be used as 8 additional AUX mixes (monitor mix and FX sends) that provides a total of 24 mixes (plus L, R & Mono) for monitor mixing duties. All buses can be linked as stereo pairs (except the mono bus). As with all Midas digital consoles, the audio paths can be routed to multiple destinations and the console format can be reconfigured live on a scene-by-scene basis.
The high-resolution screen remains visible even in direct sunlight. The screen provides visual feedback for the entire system. Pressing the HOME key (just to the left of the assignable controls) instantly displays the console overview screen, which keeps all vital information (all metering, all fader positions, mutes, and solos) in view at all times.
This live audio system has up to 100 inputs and 102 outputs, with point-to-point routing anywhere within the network, which can then be patched and routed on a scene-by-scene basis via a powerful snapshot automation system. The PRO 1 system incorporates several special features to aid real-world integration with other important sub-systems.
Features:
Live performance digital console with up to 48 simultaneous input channels
24 award-winning MIDAS microphone preamplifiers
27 time-aligned and phase-coherent mix buses
AES50 networking allows up to 172 inputs and 172 outputs @ 96 kHz sample rate
Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam
8 VCA (Variable Control Association) and 6 POPulation groups
Up to 28 assignable 1/3 octave KLARK TEKNIK DN370 graphic equalisers
Up to 6 multi-channel digital signal processing effects engines
18 MIDAS PRO motorised 100 mm faders
Daylight viewable 15” full colour TFT display screen
Fully interpolated touch sensitive controls
Optional wireless remote control with MIDAS MIXTENDER App for iPad*
Auto-ranging universal switch-mode power supply
3-Year Warranty Program*
Designed and engineered in the U.K.
Specifications
System Specifications
Sampling frequency
96 kHz
Latency
<2 ms input to master (no compensation)
Dynamic range
107 dB, 22 Hz to 22 kHz (no pre-emphasis)
Maximum voltage gain
80 dB inputs to subgroups and masters 86 dB inputs to aux and matrix
Crosstalk at 1 kHz
-100 dB physically adjacent input channels
Crosstalk at 10 kHz
-90 dB physically adjacent input channels
Fader/pan cut off at 1 kHz
-100 dB
Fader/pan cut off at 10 kHz
-100 dB
Display screen
1 x 15″ daylight-viewable colour screen
Dimensions (H x W x D)
685 x 722 x 288.6 mm (27.0 x 28.4 x 11.4″)
Net weight
PRO1 control centre: 21.5 kg
Shipping weight
Touring (in flight case): 97.5 kg Install (in carton): 28.7 kg
Power requirements
100 V to 240 V a.c. ±10%, 50 to 60 Hz
Operating temperature range
+5°C to +45°C
Storage temperature range
-20°C to +60°C
Frequency Response
0 dB Gain
Input
Surface I/O
Ouput
Surface I/O
20 Hz
0 dB to -1.0 dB
20 kHz
0 dB to -1.0 dB
40 dB Gain
Input
Surface I/O
Ouput
Surface I/O
20 Hz
0 dB to -1.0 dB
20 kHz
0 dB to -1.0 dB
Gain Error at 1 kHz
0 dB Gain
Input
Surface I/O
Output
Surface I/O
Maximum
+1.0 dB
Minimum
-1.0 dB
45 dB Gain
Input
Surface I/O
Output
Surface I/O
Maximum
+1.0 dB
Minimum
-1.0 dB
Input CMRR
0 dB Gain
Input
Surface I/O
Output
Surface I/O
100 Hz
60 dB
1 kHz
60 dB
Input
Surface I/O
Output
Surface I/O
100 Hz
90 dB
1 kHz
90 dB
45 dB Gain
Distortion at 0 dBu
0 dB Gain
Input
Surface I/O
Output
Surface I/O
1 kHz
0.01%
10 kHz
0.01%
45 dB Gain
Input
Surface I/O
Output
Surface I/O
1 kHz
0.03%
10 kHz
0.03%
Distortion at +20 dBu
0 dB Gain
Input
Surface I/O
Output
Surface I/O
1 kHz
0.03%
10 kHz
0.03%
45 dB Gain
Input
Surface I/O
Output
Surface I/O
1 kHz
0.03%
10 kHz
0.03%
Mixing Noise (All Bus Types) 22 Hz to 22 kHz Unweighted
12 Inputs
Gain
0 dB
Fader Position
-infinity
Pan
Central
Output noise
-91 dBu
12 Inputs
Gain
0 dB
Fader Position
0 dB
Pan
Central
Output noise
-78 dBu
24 Inputs
Gain
0 dB
Fader Position
-infinity
Pan
Central
Output noise
-91 dBu
24 Inputs
Gain
0 dB
Fader Position
0 dB
Pan
Central
Output noise
-75 dBu
48 Inputs
Gain
0 dB
Fader Position
-infinity
Pan
Central
Output noise
-91 dBu
48 Inputs
Gain
0 dB
Fader Position
0 dB
Pan
Central
Output noise
-72 dBu
Dynamic Range 22 Hz to 22 kHz Unweighted
0 dB Gain
Input
Surface I/O
Output
Surface I/O
Maximum Output
+21 dBu
Dynamic Range
107 dBu
45 dB Gain
Input
Surface I/O
Output
Surface I/O
Maximum Output
+21 dBu
Dynamic Range
102 dBu
PRO1 Control Surface – DSP/Router System Inputs and Outputs
System connectors
6 x AES50 (24 channels of bidirectional digital audio) on etherCon XLR
Word clock IN connector
BNC
Word clock OUT connector
BNC
Video sync IN connector
BNC
AES3 sync IN connector
3-pin XLR
AES3 sync OUT connector
3-pin XLR
PRO1 Control Surface – Analogue Audio System Inputs
Connector
3-pin XLR balanced
A/D converter
24-bit, 96 kHz with 128 times oversampling
Talkback connector
3-pin XLR balanced line
Talk connector
3-pin XLR balanced mic with +48 V phantom power
PRO1 Control Surface – Analogue Audio System Outputs
Connector
3-pin XLR balanced
D/A converter
24-bit, 96 kHz with 128 times oversampling
Monitor connector
3-pin XLR balanced line
Talk connector
3-pin XLR balanced line
Headphone connector
¼” Jack (stereo)
PRO1 Control Surface – Digital Audio System Inputs and Outputs
Input connector
AES3 (two channels of digital audio) on 3-pin XLR
Sample rates
Accepts any frequency 32 kHz – 96 kHz
Bypass
Sample rate converter can be bypassed
Output connector
AES3 (two channels of digital audio) on 3-pin XLR
Sample rate
48 kHz, 96 kHz, or auto-tracking to inputs
Bypass
Sample rate converter can be bypassed
Word length
16, 20 or 24-bit
PRO1 Control Surface – Control Data System Inputs and Outputs
System connector
etherCon XLR
PRO1 Control Centre – Miscellaneous Inputs and Outputs
Monitor output connector
DVI/DP+
USB host connection
USB 2.0 full speed (12.0 Mbs) 5 V, 1A maximum load
