ปรีแอมป์สเตอริโอ Line Driver Radial J+4, Signal Driver with Level Matching from -10dB to +4dB, Increases Gain for Low-Output Sources, Transformer-Balanced XLR Outputs, Multiple input connector options to interface with any device

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ปรีแอมป์ Radial J33 สำหรับเครื่องเล่นแผ่นเสียง Combination RIAA phono preamp and DI Box, Stereo RCA inputs, Stereo RCA and XLR outputs, Built-in low frequency rumble filter, Choice of 48V phantom power or DC power supply

The J33 provides the ability to connect turntables to pro audio equipment such as a recording interfaces and mixers, allowing you to easily integrate your vinyl collection with studio gear for playback or recording.

Balanced XLR mic-level outputs are available for connection to a mic preamplifier for archiving or sampling in the studio, and -10dB consumer line-level outputs are also provided to connect to home stereo equipment.

The J33 can also be used in a live performance environment, offering an improved interface for DJs to connect to the PA system.

Features:

• Turntable preamp and direct box combination with RIAA EQ curve for proper playback response
• Designed specifically for magnetic turntable cartridges
• Multiple outputs for usage flexibility
• Rumble filter stops low-frequency feedback
• Applications include pro DJ touring and night clubs, archiving vinyl records, recording digital samples from vinyl and recording scratch performances
• Full bottom pad improves electrical isolation and keeps the unit from moving around on busy stages
• Eliminates need for DJ mixer
• Can be used as hi-fi turntable preamp
• Powered by 48V phantom or external supply

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ปรีแอมป์ Radial PZ-Pro, 2-channel Acoustic Preamp and DI with Phantom Power, 3 Band EQ, Switchable Filter, Piezo boost brings up your signal, FX Loop, and Wet/Dry Blend, XLR input with available phantom power on channel 2

The PZ-Pro is designed for instrumentalists and performers who take a no-compromise approach when it comes to tone, both on stage and in the recording studio. Dual input channels allow you to switch between or blend together two sources, with full control over the sound of each input.

Each channel has its own semi-parametric equalizer section and input level, along with individual filter controls to reduce feedback on stage. The second channel of the PZ-Pro also features a microphone input to allow any dynamic or condenser microphone to be used, including clip-on instrument mics or even vocal microphones.

An FX Loop with a wet/dry knob provides the ability to blend in as much or as little pedal effects as desired, with a footswitch to bring them in and out of the signal chain at a moment’s notice. Finally, once your tone is completely dialed-in, balanced XLR direct outs feed the PA system or a recording interface, with both Pre-EQ and Post-EQ outputs available.

Features:

• 2-channel acoustic preamp and DI
• Independent EQ controls let you shape each input signal individually
• 3-band EQ helps you slot into the mix with ease
• Hi-Pass and Notch filters cut out feedback and unwanted boom
• Assignable effects loops and wet/dry blend knob give you total control over any effects
• XLR input and switchable phantom power (channel 2) accommodate microphones of all kinds
• Piezo boost brings up your signal

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ปรีแอมป์ Radial Tonebone PZ-Pre, 2-channel Instrument Preamp with Boost, 2 Piezo Boosters, 3-band EQ, Notch Filter, High-pass Filter, Separate DIs for House Mix and Monitoring, and Tuner Out with Footswitchable Mute

The Radial PZ-Pre is a powerful acoustic instrument preamplifier. The magic lies in the combination of high performance 100% discrete class-A PZB piezo boosters, an ultra-quiet preamp circuit that will adapt to any pickup system and a host of connectivity options that will put you in total control.

The PZ-Pre is equipped with two inputs for quick instrument changes on stage, or, for blending two pickups together. Powerful semi-parametric EQ and feedback eliminating controls allow the user to fine-tune their sound while eliminating troublesome frequencies.

Offering both pre and post EQ direct box outputs, the PZ-Pre can be used send a dry signal to the house and performer tailored sound to monitors.

Features:

• Two channels
• Separate piezo boosters for each channel
• 3-band EQ with semi-parametric mid
• Notch filter
• highpass Filter
• Pre-EQ balanced DI out for FOH mix
• Post EQ and effects loop balanced DI out for in-ear monitoring or on-stage wedges
• Tuner out with foot switch mute
• Personal guitar amp out
• Power supply included

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ปรีแอมป์ Radial Tonebone PZ-Deluxe, Acoustic Instrument Preamp with Boost, Piezo Booster, 3-band Semi-parametric EQ, High-pass Filter, DI, Boost Footswitch, and Tuner Out with Footswitchable Mute, Ground lift on XLR output

The PZ-Deluxe is an instrument preamp with a low noise front end that is capable of exceptional dynamics to adapt to all instruments including acoustic guitar, upright bass, mandolin and violin no matter what type of pickup system is being used.

Powerful EQ controls allow you to shape your tone through the PA and a stage amp, with a low cut filter and 180° polarity reverse switches to help eliminate feedback on stage.

A special PZB gain stage can be activated for use with instruments that have piezo transducers, increasing the input impedance to 10 meg ohms to eliminate the squawk and harshness that are sometimes associated with those pickup systems.

The PZ-Deluxe also features a high quality Radial DI to provide a balanced output that can drive cables of over 100 meters (300ft) without noise into the PA system, and built-in mute and boost footswitches give you instant control for solos, instrument changeovers, or silent tune-ups on stage.

Features:

• A powerful preamp designed for acoustic instruments
• 3-band semi-parametric EQ to dial in your perfect sound
• Mute and boost footswitches
• Direct box to feed PAs and mixers
• Ground lift on XLR output

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ปรีแอมป์หลอดและลิมิตเตอร์หลอด BEHRINGER 676 Classic Vacuum Tube Preamplifier and FET-Style Compressor with Midas Transformers, Top-quality 12AX7/ECC83S and 12AT7/6072 tubes, เป็นรุ่นที่โคลนเสียงมาจาก UNIVERSAL AUDIO 6176, Vintage-style meter

The Behringer 676 is a channel strip in 19″ format (2U) that combines a classic tube preamplifier with an FET compressor. Based on a legendary Vintage channel strip design, this device delivers the characteristically warm and musical sound that has been appreciated in renowned studios for decades.

Two high-quality tubes – 12AX7/ECC83S and 12AT7/6072 – provide finely graduated saturation and harmonic overtones, while the Midas transformers at the inputs and outputs convey a detailed and powerful sound.

Features:

• Channel strip with classic vacuum tube preamp and FET-style compressor that can be operated independently or simultaneously
• Top-quality 12AX7/ECC83S and 12AT7/6072 tubes give you timeless tone
• Custom-built Midas input and output transformers
• 2-band shelving equalizer with switchable filters
• Incredibly fast attack times of 20μs–to800μs
• Adjustable release times of 50ms–1,100ms
• Vintage-style meter features both gain reduction and output for excellent visual feedback
• Switchable -15dB pad, polarity reverse, and 48V phantom power
• Rugged 2RU unit makes it both discreet and portable

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ปรีแอมป์ไมโครโฟน Behringer 1273 พร้อมอีควอไลเซอร์, 2-channel Mic/Line/Instrument Preamp with 3-band EQ, Highpass Filter, Tone Switch, and Custom Midas Transformers, Auto-ranging universal switchmode power supply

The Behringer 1273 2-Channel Mic Preamp and EQ is ideal for audio engineers and musicians seeking vintage warmth with modern reliability. Featuring all discrete Class A circuitry, it delivers the highest signal integrity for classic vintage character.

Custom-built Midas input and output transformers ensure excellent sound quality and depth, while the electronically controlled 80 dB stepped rotary gain switch offers extreme precision and low noise. This preamp offers mic, line, and instrument inputs for capturing any kind of source.

Once you’ve set your gain, however, you have a three-band parametric EQ, with low and high shelving, a sweepable midrange band, and a high-pass filter for cutting low-frequency mud to achieve clarity and a sculpted signal that fits perfectly into the mix.

The 1273 also offers phantom power, phase inversion, and a tone switch to adjust transformer impedance for extra utility with any kind of microphone or recording arrangement.

Features:

• 2-channel microphone preamplifier with 3-band equalizers, based on the classic 1073 design
• Class A, all discrete circuitry for highest signal integrity
• Custom-built Midas input and output transformers
• Versatile gain controls to handle various type of inputs including mic, line and instrument
• Electronically controlled resistor-stepped 80 dB rotary gain switch for extreme precision and low noise
• Tone function changes input transformer impedance for mic optimization
• Dedicated Phase, Tone, Insert, Line, Instrument, and Phantom Power switches for each channel
• Inductor-based switchable equalizers section with a passive third-order high-pass filter
• Low-frequency boost/cut at 35, 60, 110 or 220 Hz
• Mid-frequency boost/cut at 360, 700, 1600, 3200, 4800 or 7200 Hz
• High-frequency boost/cut at 10, 12 or 16 kHz
• 5-position inductor-based high-pass filter, selectable for off, 50, 80, 160 or 300 Hz for each channel
• Transformer-balanced inputs and outputs on XLR/combo connectors
• High-precision 7-segment LED signal level meter for each channel
• Rugged 2U rack mount chassis for durability in portable applications
• Auto-ranging universal switchmode power supply

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ไดนามิกบูสเตอร์ไมค์ KLARK TEKNIK CT1 ใช้สำหรับเพิ่ม Gain และช่วยให้สัญญาณไมโครโฟนคมชัดสะอาด Single-channel +25 dB In-line Microphone Preamplifier, Phantom powered with no need for external power supply, dynamic or passive ribbon microphone

Whenever you need more headroom for any microphone in your podcast setup, recording studio or live rig, the MIC BOOSTER CT1 is exactly the tool you need to get a crisp and clean microphone signal in a robust, compact and simple to use package.

The CT 1 can work with almost any dynamic or passive ribbon microphone. Its high-quality preamp adds an incredible +25dB of gain to your mic pre’s which increases the headroom and allows you to dial in the perfect mic level at a much lower gain setting at the mixer thus leading to a cleaner sound.

Features:

• Dynamic mic booster adds extra gain to your sound
• High-quality preamp provides up to +25 dB of gain
• Phantom powered with no need for external power supply
• Works with almost any dynamic or passive ribbon microphone
• Rugged, road-worthy construction for years of dependable use

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ปรีแอมป์ไมค์สำหรับใส่แร็ค 500 Series-Format Cranborne Audio Camden 500, 500 Series Mic/Line/Instrument Preamp with Selectable Input Impedance, Variable Coloration, and Highpass Filter, Designed and engineered in the UK

The Cranborne Audio Camden 500 is a mic, line, and instrument preamplifier with truly impressive low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The net result is a stunningly clean, pristine, and natural-sounding 500 Series preamp module.

That delivers every source as a neutral canvas you can paint with your choice of analog and digital processing. But when you want vintage British tonal character, that’s where Cranborne’s Mojo circuit comes in.

Features:

• Fully-discrete, transformerless design featuring our custom ‘Camden’ preamp topology designed by our Director of Engineering – Edward Holmes
• Optimised for and fully-compliant with the 500-series format
  • Camden 500 is not a 19” unit shoe-horned into a 500-series module, it has been designed from the ground-up to perform under the low-voltage power rails and supply current limitations of the 500-series format whilst delivering groundbreaking performance
• Performs at the near-theoretical limits of noise, distortion, and phase/frequency linearity at all gain settings
  • EIN: <-129.5dBu, 150 ohm source, unweighted, <-135.5dBu, Inputs common, unweighted
  • THD+N: <0.0004%, 1kHz, 35dB gain, 24dBu out
  • Intermodulation Distortion: <0.0008%, 50Hz and 7kHz, 35dB gain, 20dBu out
  • Phase Shift: <2.25°, 40dB gain, 20Hz to 20kHz, <4°, Max gain, 20Hz to 20kHz
  • Freq. Response: <±1dB, <5 Hz to >200 kHz, all gain settings
  • CMRR: >70dB, typ >85dB, 35dB Gain, 10-20kHz, 100mV Common mode
• Optimised input Impedance and input headroom for Mic, Line, and Hi-z sources
  • Mic Preamp, Instrument Di, and – thanks to Mojo – line-level analogue saturator
• Custom ‘Mojo’ analogue saturation circuit with variable control, true bypass, and 2 discrete styles – Thump and Cream
  • Reamp tracks from your DAW through Mojo to apply analogue saturation to your stems, VST, and stereo mixes
  • Thump excites low-end content by boosting lower odd/even harmonics from a range of 160Hz to 20Hz and below
  • Cream boosts odd/even harmonics whilst also reducing the amplitude of the fundamental frequencies and applying typical transformer-style transient taming
• Gold Flashing on backplane contacts for increased conductivity and durability
• Designed & Engineered in the United Kingdom

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ปรีแอมป์ไมค์พร้อมแอมป์ขยายหูฟัง Cranborne Audio Camden EC1 Mic/Line/Instrument Preamp & Headphone Mixer with Highpass Filter and Variable Coloration, C.A.S.T. Out port for connecting Camden EC1 to 500R8/500ADAT

The Camden EC1 is a mic, line, and instrument preamplifier featuring Cranborne Audio, an acclaimed Camden preamp, a Mojo analog saturation circuit, and a reference-grade headphone amplifier.

The Camden EC1 rocks truly impressive low-noise and low-distortion performance, as well as frequency and phase linearity at all gain settings.

The net result is a stunningly clean, pristine, and natural-sounding preamp that delivers every source as a neutral canvas you can paint, with your choice of analog and digital processing. But when you want punchy, vintage tonal character, that’s where Cranborne’s Mojo circuit comes in.

Features:

• Discrete, ultra-clean Mic/Line/hi-Z preamp with acclaimed Camden topology
• Performance at near-theoretical limits of noise, distortion, and phase/frequency linearity at all gain settings
• Bypassable Mojo saturation circuit with Thump/Cream analog saturation types
• Discrete headphone mixer with high-power, reference-grade headphone amplifier and two output jacks
• Balanced XLR output plus impedance-balanced ¼-inch output for maximum connectivity
• Dedicated impedance-balanced ¼-inch Link output for splitting instrument DI to balanced/unbalanced amps and effects
• External Line Input for connecting a mono playback source into the EC1’s monitor path
• Selectable 48V phantom power
• C.A.S.T. Out port for connecting Camden EC1 to 500R8/500ADAT and N22 C.A.S.T. breakout box
• External high-current 24V power supply with latching connector

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