ไดเร็กบ็อกซ์ Rupert Neve Designs RNDI-M Active mono DI box, Same Circuitry as RNDI, RNDI-S, RNDI-8, Class-A Biased Discrete FET Amplifiers, Re-Amping of Pro Line-Level Sources, Powered by +48V Phantom Power, For Guitar, Bass, Synth, Keys, and more

Rupert Neve Designs RNDI-M, a compact, active transformer Direct Interface (DI) that features the same circuitry as the award-winning RNDI, RNDI-S and RNDI-8, but in a compact and pedal-board friendly format. By streamlining.

Its feature set and housing the electronics in a rugged and more compact chassis, the RNDI-M fits neatly into any space and will allow even more musicians and engineers to tap into the uncompromised sonic power and vibrancy of a Rupert Neve Designs DI.

The RNDI-M provides instrument direct injection for electric guitars and basses, synthesizers, keyboards, piezo pickups, or any other instrument-level source.

The discrete, Class-A circuit topology is built around Mr. Rupert Neve’s custom transformers, resulting in outstanding sonic performance and strikingly natural sound from below 5 Hz all the way up to well beyond 90 kHz.

It can handle input levels up to +20.5 dBu, the low impedance, transformer-coupled output stage drives long lines with minimal loss, and the rugged steel chassis is designed for a lifetime of stage and studio use.

Features:

• Ultracompact and Streamlined
• Same Circuitry as RNDI, RNDI-S, RNDI-8
• Class-A Biased Discrete FET Amplifiers
• Low-Impedance, Transformer-Balanced Out
• “Re-Amping” of Pro Line-Level Sources
• Powered by +48V Phantom Power
• Rugged Powder Coated Steel Chassis
• Minimal Loss of HF over Long Distances
• Adds 2nd and 3rd Order Harmonics

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อุปกรณ์ปรับแต่งสัญญาณเสียง Rupert Neve Designs MBT, Stereo Master Bus Transformer with Class A I/O Amplifiers, 2-band EQ, Compressor, Variable Highpass Sidechain Filter, Width Control, and Super Silk Circuit, Handcrafted in the USA

The MBT Master Bus Transformer from Rupert Neve Designs leverages industry legend Rupert Neve’s six decades of audio transformer expertise to provide a powerful and flexible audio processor uniquely poised to add an incredible array of flavorful \

Options designed to sweeten, enhance, drive, widen, and utterly transform your source material, making it the ultimate tool for musical coloration. Equally at home on a full mix, groups, stems, or individual sources, the MBT pairs acclaimed tonal quality with an immensely flexible set of controls to shape your sound

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Newton Channel Strip Rupert Neve Designs 5034 Mono Channel Strip with Class A Mic/Line Preamp, 3-band EQ, Compressor, Silk Harmonic Enhancement, Custom Transformer Outputs, and 8-segment LED Meters, For Recording and Mixing Applications

Rupert Neve Designs Newton Channel is an intuitive, high-quality channel strip that provides engineers, producers, and artists with modern functionality and classic sound on demand for a wide variety of recording and mixing applications.

The Newton Channel features a classic Rupert Neve mic pre, custom transformers, and Class-A line amplifiers for a huge headroom and punchy, larger-than-life sound.

The discrete 3-band EQ section with fully sweepable mid-band provides flexible and musical controls to quickly sculpt your sound. The discrete compressor section features a fast and smooth VCA circuit to gently tame transients or apply heavy compression.

Silk Red and Blue Saturation lets you dial in subtle richness or over-the-top vintage-style harmonic saturation using a simple set of controls. Other features include 31-position detented control knobs to accurately recall and match your settings with speed and precision.

A Stereo Link Switch allows you to link the gain reduction of two Newton compressors for powerful stereo-bus processing. Located in the unit’s 1 RU rack-mountable chassis is a universal power supply with IEC connection for worldwide AC power from 100-240 VAC.

Features:

• Sumptuous Rupert Neve sound; superlative specs across the board
• Frequency response: <10Hz–30kHz (+/-0.1dB); <5Hz–70kHz (+/-0.25dB); <5Hz–140kHz (-3dB)
• Input: Balanced XLR/TRS combo jack input (may be used for mic or line signals)
• 48V phantom power: Push-button switch illuminates RED when engaged
• Class A mic preamp; Gain: 72dB, including 6dB of fine trim control
• Ø (Polarity): Push-button switch illuminates amber when engaged
• Trim: 31-detent potentiometer allows adjustment of preamp gain within a range of +/-6dB
• HPF: Push-button switch illuminates green when highpass filter (adjustable from 20Hz–250Hz) is engaged
• EQ section: 3-band, +/-12dB, with LF and HF shelves (2 selectable frequencies each) and midband peaking (31 selectable frequencies)
• Compressor with threshold, release, make-up gain, and pre/post EQ switch
• Variable Silk harmonic enhancement with Red and Blue modes and 31-step Texture (amount) control
• 8-segment LED meters indicate compressor gain reduction (dB) and output level (dBu)
• Custom transformer outputs: Balanced XLR main line-level output; separate -6dBu XLR output
• Ground Lift: helps isolate unit from ground interference (operable on both outputs)
• Link: 1/4-inch TRS jack for linking 2 Newton Channel compressors stereo operation
• Internal universal power supply provides reliable 90–240V power worldwide
• IEC AC power inlet with integrated power switch
• Robust 1U rackmount chassis
• Handcrafted by Rupert Neve Designs in the USA

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ไดเร็กบ็อกซ์ Rupert Neve Designs RNDI-8 แบบ 8 ชาแนล, 8-Channel 1U Active Transformer Direct Interface, Discrete FET Input Amplifiers, and Per-channel Ground Lifts and -10dB Pads, For High-End Stage Rigs and Studios

RNDI-8 from Rupert Neve Designs is an 8-channel version of their venerable DI, delivering stunning headroom, extremely wide bandwidth, and fantastic-sounding, discrete, class-A FET input amplifiers with custom-wound, DC-coupled output transformers for optimal accuracy and signal strength over ultralong cable runs.

Ideal for professional stage rigs, touring rigs, and studios, the RNDI-8 sports selectable -10 dB pad and +48V phantom power on each channel for feeding its FET input amplifiers as well as 1/4″ thru outputs for input amplifiers during live sound reinforcement.

The RNDI-8 is perfect for low-output audio sources with instrument-level signals, such as electric guitar and bass, synthesizers, keyboards, piezo pickups, and more, and the 2-megohm discrete FET inputs with their massive +21 dBu headroom perform with immense consistency across a wide variety of sources, including professional line-level signals.

The rugged 1 RU steel chassis features an industrial-grade powder coating, allowing it to withstand the intense stresses of life on the road, and you can optionally use the included bolt-on rack ears for either standard rack mounting, or in a reverse position, providing multiple mounting options for most rig setups.

Features:

• 8 channels of big, bold direct tone for stereo keyboards and guitars, basses, and piezo-equipped instruments
• Custom transformers deliver powerful low end and sweet highs without sacrificing clarity
• Class A, discrete FET input amplifiers ensure consistent performance with a full range of instruments
• Unprecedented frequency response stretches from 5Hz all the way past 90kHz
• Transformer and active circuits provide complete circuit isolation
• Extremely low output impedance and phase shift provide excellent, consistent results
• Flexible per-channel ground lifts guarantee hum-free operation
• Individual -10dB pads can accommodate the highest-output of sources
• Rugged steel chassis built to withstand life on the road

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แร็คไม้ Rupert Neve Designs Vertical Wood Rack for Two Half-Rack Shelford / Portico Series Modules Fits Two Modules

Considering an investment in Rupert Neve Designs Shelford modules? You’ll need to house them, and Sweetwater has the solution: RND’s dedicated Shelford 2-way desktop rack. This attractive wood rack holds two Shelford modules such as the 5051 and 5052.

Features:

• Dedicated rack for for Shelford modules
• Attractive wood rack looks great on your desktop
• Holds two modules

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เครื่องจ่ายไฟแบบ 25ทาง Rupert Neve Designs Power Supply for Up to 25 Shelford Series Units

Rupert Neve Shelford Series 25-Way Power Supply is desiged for Shelford 5051 Inductor EQ / Compressor and Shelford 5052: Mic Pre / Inductor EQ. Rupert Neve Shelford Series 25-Way Power Supply comes in a 2U enclosure for easy rack-mounting and its external +/- 24V supply provides exceptionally clean power, reducing the heat built-up within the modules.

Features:

• Desiged for Shelford 5051 Inductor EQ / Compressor and Shelford 5052: Mic Pre / Inductor EQ
• Comes in a 2U enclosure for 2U rack-mounting
• External +/- 24V supply provides exceptionally clean power

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เครื่องจ่ายไฟ Neve Shelford 5-way +/- 24V Power Supply Dedicated Power Supply for Rupert Neve Designs Shelford Modules Will Power Up to Five 

Considering an investment in Rupert Neve Designs Shelford modules? You’ll need to power them, and Sweetwater has the solution: RND’s dedicated Shelford power supply. This rugged, attractive brick-style unit powers up to five Shelford modules such as the 5051 and 5052 with +/- 24V on 4-pin connectors.

Features:

• Dedicated power supply for Shelford modules
• +/- 24V on 4-pin connectors
• Powers up to five modules

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ปรีแอมป์ไมโครโฟนและอีควอไลเซอร์ Neve Shelford 5052 Microphone Preamplifier and Inductor EQ 

The Shelford 5052 echoes the simple and definitive 1073 feature set with a vertically-oriented mic pre, high pass filter, and 3-band inductor EQ, while also incorporating modern capabilities like the variable Silk / Texture control from the Portico II Series and simultaneous pre / post “tape” operation. Utilizing class-A, discrete, +/- 24V topologies with custom-wound transformers and inductors, Rupert Neve designed the 5052 as a vintage-style channel strip that captures the soul of his classic designs, without the previous compromises.

The Mic Pre

Like Rupert’s designs from his time in Shelford, the 5052 preamplifier has 72dB of discrete, class-A gain coupled with serious square-core transformers. Unlike the classics however, the output transformer features the Silk Red / Blue and Texture controls from the Portico II Series to hone the harmonic content and tonality of the output stage. By engaging these controls and sufficiently driving the output, the 5052 can produce up to 4-5% THD (primarily 2nd order, some 3rd order), bringing a richness and thickness to tracks when desired with no danger of overloading the output stage. With Silk disengaged, the output is modern and pristine, yet still retains Rupert’s signature larger-than-life transformer sound. The mic pre section also includes a sweepable 20-250Hz high-pass filter, Mic / Line selection, 48V phantom power, and polarity reverse.

Dual I/O Paths

Following the preamplifier, the 5052 has a transformer-coupled output, which allows the 5052 to feed a tape machine or DAW directly from the mic pre while still using the EQ and Silk / Texture in a dedicated analogue mix path such as that found with a 5088, 5060 or vintage console. This output can also be used to insert a separate compressor between the mic pre and the EQ, or it can allow the 5052 to work with two separate sources. When the “TO EQ” button is engaged, the mic pre signal is routed directly into the EQ such that the mic / line input signal flows through to the main output as a single channel strip.

The “best of the classics” EQ

The 3-band, custom-tapped inductor EQ on the 5052 was inspired by RND’s favorite portions of Rupert’s vintage EQ designs. The low frequency band is primarily based on the 1064, which is renowned for its creamy, resonant bass. Unlike the 1064 however, the LF band on the 5052 can be used as either a shelf or a peak filter, adding punch, dimension, and immense control to your low end. The 5052’s inductor midrange band is based on his prized 1073 EQ, which is ideal for sweetening vocals and instruments while bringing them forward in a mix. Additionally, the mid frequency band’s proportional “Q” response makes it well-suited for minimizing problematic frequencies in a source. The 5052’s high frequency band is a hybrid vintage / modern design, blending inductor circuitry from the 1073 with capacitor-based topologies to achieve the vintage tones with enhanced control. As Rupert originally intended with his most prized classic designs, each EQ section uses low-feedback, class-A discrete electronics to prevent low-level artifacts and harshness from detracting from the tonal shaping. The EQ circuit itself, however, is a decidedly modern updated design using techniques and components that were simply not available 35 years ago, and should not be considered a “clone”.

Power, Connections and Mounting

The 5052 receives +/- 24V rails from an external DC power supply using a 4-pin connection. There are currently two options available: the RND 5-way brick supply and the RND 25-way 2U rack-mount supply. The back panel of the 5052 includes three XLR-F connections for Mic In, Line In, and EQ In, and two XLR-M connections for Mic Out and Main Out. The 5052 chassis is a “half-rack” format, and can be mounted in RND’s new 2 –way and 4-way vertical racks in addition to the existing 9-way racks and the 5088 penthouse.

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อีควอไลเซอร์,คอมเพรสเซอร์ Neve Shelford 5051 combines a classic 3-band EQ based on Rupert’s vintage designs with the power and flexibility of the Portico II compressor

The Rupert Neve Designs Shelford 5051 Inductor EQ and Compressor combines the classic 3-band EQ from Rupert Neve’s vintage circuit designs with the flexibility and power of the Portico II compressor. Using a fully discrete class-A signal path combined with high-performance input and output transformers, the combination EQ and compressor upholds the world renown reputation of the master circuit designer.

The EQ section
of the module uses a custom-tapped inductor with selected capacitors to form the mid-range equalizer band and the shelf curves are based on Neve’s vintage Modules. Each of the EQ sections uses a low feedback class-A discrete electronics to prevent low-level artifacts from distracting from the tonal shaping of your signal.

The high and low bands can be switched from shelf to peak curves and both offer 15 dB of boost or cut. The high band can be switched from 8,000 to 16,000 Hz and the low band can be set to 35, 60, 100, or 220 Hz. The mid band offers six center frequencies at 200, 350, 700, 1500, 3000, and 6000 Hz. The mid band also features a high peak switch to narrow the bandwidth or increase the Q of the filter. An 18 dB/octave high-pass filter with two corner frequencies that can be toggled between Off, 60, and 120 Hz.

The EQ can be switched to pre or post compressor in the signal chain. It also allows for the two XLR balanced inputs on the back of the unit to be switched from the front panel which allows setups such as having a mic preamplifier and a line input from a DAW to be pre-patched and selected at will.

The compressor section
of the module uses a discrete class-A signal path from the Portico Series of signal processors with individual control over threshold, attack, release, make up gain, ratio, side chain HPF, Feed-Forward/Feed-back selection and Peak/RMS detection modes. If you deactivate the compressor the unit can be used as a transformer-coupled high-performance line amplifier.

The compressor has the ability to switch between feed-forward and feed-back operation, and two modules can be linked together for stereo operation. The unit is intended for use with 5088 consoles or with 5285 vertical frames. There are two ±24V power supply options. One 5-way power supply can be placed at the bottom of the rack or a separate 25-way power supply in a 2U enclosure may be used. Using the external module provides clean power with less heat build-up within the modules associated with the DC to DC up-conversion.

• Classic Neve EQ Sound
• Compressor Design from Portico Series
• Discrete Class-A Circuit Design
• Selectable HF Shelf or Peak Filter
• Mid-Band Parametric EQ
• Side Chain High-Pass Filter
• EQ Before or After Compressor
• Feed-Forward/Feed-Back Operation
• Link Two Modules for Stereo Operation
• Two Ways to Power

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แร็ค 500 Series Rack Neve R6 Six Space Chassis with LED Current Consumption Meter, XLR, TRS, and DB-25 I/O, Variable-position Screw Holes, and Double-shielded Internal Power Supply

Rupert Neve Designs R6 will help you hear the full potential of your modules. The headroom in available current helps prevent the power rails from falling under a higher than expected load. LED metering shows you how much power is being used and the internal power supply has been designed with double shielding to avoid significant magnetic induction in any of the channel positions.

The solid steel chassis has a collapsible handle for portability. The unit offers a total of eight balanced I/O channels with interchangeable TRS, XLR, and DB-25 connections with a 48V phantom power bus. The channel 7-8 thru connections can be used as a way to quickly and easily convert your signal from and to DB-25, XLR, and TRS connectors. To accommodate 500 series modules that are slightly out of spec, the unit has variable-position screw holes to make the installation process go more smoothly. A 500 series link function can be enabled in pairs using the link jumpers on channels 1-2, 3-4, or 5-6. Matching blank panels are also available to cover any empty slots.

Features:

• 150% Available Current for Six Spaces
• Eight Channels
• LED Power Metering
• Double Shielded PSU to Manage Induction
• Balanced DB-25, XLR, and TRS Connections
• Versatile Interchangeable
• THRU Functionality on Channels 7-8
• Solid Steel Construction
• Collapsible Handle
• Variable Position Crew Holes

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