เครื่องผสมสัญญาณเสียง DIGICO Quantum 112 แบบดิจิตอล เป็นราคาเฉพาะตัวมิกเซอร์ไม่รวม CARD และอุปกรณ์เสริมอิ่นๆ, 80 Input Channels with full processing, 24 Aux/Sub-Group busses with full processing, 12 x 8 Matrix with full processing, 8 Control Groups, 20 Mustard, 6 Spice Racks

Digico now introduces its smallest and newest addition to the Quantum family, The Quantum112, a single-screen, 12-fader desk that is the brand’s first true flypack mixer. Designed to fit within a Peli Air 1637 case, the console, when packed, weighs 23 kilograms (50 pounds), qualifying it as a standard checked bag option on most flights.

Digico’s latest product offers 80 input channels with 24 aux/subgroup busses, LR/LCR master busses, and a 12×8 matrix, all with full channel processing.  Twelve control groups plus two solos are also available. Sporting a 17″, 1000-nit multitouch screen with both a meterbridge and soft quick select buttons,

The Quantum112 is additionally equipped with 18 individual TFT channel displays to provide user feedback and interaction. Beneath the main display are a dozen 100mm touch-sensitive faders. Quantum 112 naturally incorporates Quantum Range features like Mustard Processing channel strips (20), Spice Rack plugin style native FPGA processing options (6), and Nodal Processing (24).

Twelve graphic EQs are further available, as are eight FX Rack slots. Other highlights include 32-bit ADC and DAC conversion, dual DMI slots, and I/O options, including Dante (64 channels in and 64 channels out at both 48kHz and 96kHz), MADI (redundant or single), optional optics, AES and local connections (16 analog inputs and eight outputs).

“Our previously smallest console, the SD11, weighs 24 kilograms [53 pounds] without packaging, and 73 kilograms [161 pounds] when flight-cased, so it wasn’t a proper flypack product. The new Quantum112 is nearly 70 percent lighter”, confirms Digico Head of Research and Development Michael Aitchison.

Features:

• 80 Input Channels with full processing
• 24 Aux/Sub-Group busses with full processing
• 12 x 8 Matrix with full processing
• 8 Control Groups
• 20 Mustard
• 6 Spice Racks

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สเตจบ๊อก DIGICO DQ-RACK Dante สำหรับมิกเซอร์ดิจิตอล 48-channel Dante Stage Box with 48 Mic Inputs and 24 Analog Outputs or 20 Analog/4 Stereo AES/EBU Outputs, 6U Dante connected high performance rack, Redundant power supplies as standard

The DQ-Rack provides all of the power of our larger racks, but in a more compact unit, and harnessing the flexibility of Audinate’s Dante protocol.

The compact 6U rack sports 48 mic inputs and up to 24 line outputs. Clever audio design allows the last 4 outputs to be switched between line outputs and stereo AES/EBU outputs, adding up to a maximum of 8 AES/EBU output channels.

Making use of Dante means that existing infrastructure can be used for flexible and familiar installation. Plus, connection to a DiGiCo console via the DMI-DANTE64@96 means all inputs and outputs on the racks can be accessed at both 48kHz and 96kHz.

To ensure ultimate reliability the DQ-Rack is equipped with dual redundant power supplies as standard.

Features:

• Digital stage box for DiGiCo consoles
• 48 mic inputs and 24 analog outputs
• Can be configured to use 20 analog outputs and 4 stereo AES/EBU outputs
• Connection to a DiGiCo console via a DMI-DANTE64@96 module (sold separately) enables 48kHz and 96kHz operation
• Dante connectivity enables you to take advantage of your existing infrastructure
• Run digital audio to and from the stage with a single Cat 6 cable
• Dual redundant power supplies

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สเตจบ๊อก DIGICO MQ-RACK MADI I/O Stage Box สำหรับมิกเซอร์ดิจิตอล, 48-channel MADI Stage Box with 48 Mic Inputs and 24 Analog Outputs or 20 Analog/4 Stereo AES/EBU Outputs, Run digital audio with a single Cat 6 cable, Dual redundant power supplies

The DiGiCo MQ-Rack packs all the power of the company’s larger racks into a compact 6U chassis. Place the MQ-Rack onstage, then run a single Cat 6 cable to your console that’s it! Not only is this a breeze to set up, but it also eliminates the problematic hum and noise that can plague analog systems.

This stage box supplies you with 48 microphone inputs and 24 analog outputs, along with AES/EBU. Dual MADI ports allow rack sharing at 48kHz between any two SD-Series or Quantum consoles and provide you with digital splits for recording. Dual redundant power supplies round out the MQ-Rack’s outstanding features.

The MQ-Rack is loaded with flexible I/O. It all starts with 48 mic inputs and 24 analog outputs. You can also configure this digital stage box to use 20 analog outputs and four stereo AES/EBU outputs. At Sweetwater, we love the versatility that the MQ-Rack brings to DiGiCo’s consoles.

Features: 

• Digital stage box for DiGiCo consoles
• 48 mic inputs and 24 analog outputs
• Can be configured to use 20 analog outputs and 4 stereo AES/EBU outputs
• Run digital audio to and from the stage with a single Cat 6 cable
• Dual redundant power supplies

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เครื่องผสมสัญญาณเสียงแบบดิจิตอล DIGICO Quantum 338 ราคาเฉพาะตัวมิกเซอร์ไม่รวม CARD และอุปกรณ์เสริมอิ่นๆ, 128-input with 38 Faders, 64 Buses, LR/LCR/LCRS/5.1 Master Bus, 24-in/24-out Processing Matrix, 286 Dynamic Equalizers, and 48kHz/96kHz Sampling Rate

The DiGiCo Quantum 338 is a digital mixer with a lot to offer, including 128 input channels, 64 buses, an LR/LCR/LCRS/5.1 master bus, and a 24-in/24-out processing matrix. This digital console contains an abundance of useful I/O, including eight mic/line inputs, eight analog outputs, and four channels of AES/EBU digital, along with three MADI ports, Optocore support, and UBMADI.

You also get two dedicated DMI slots for even more expansion. High-performance signal processing, with DiGiCo’s Mustard Processing channel strips and Spice Rack insert effects, yields studio-quality mixes. Taking command of your mix is as intuitive as it gets, thanks to three 17-inch multi-touch screens, 70 individual TFT LCDs, and 38 touch-sensitive, motorized 100mm faders.

For a high-powered mixer with top-shelf sound and pro-level features, look no further than the DiGiCo Quantum 338.

Features:

• 128 input channels, 64 buses, an LR/LCR/LCRS/5.1 master bus, and a 24-in/24-out processing matrix
• Mustard Processing channel strips with emulated tube preamplification, EQ, and dynamics processing
• Spice Rack provides powerful FPGA-fueled insert effects
• Local connections include 8 mic/line inputs, 8 analog outputs, and 4 channels of AES digital I/O
• 3 redundant MADI in/out can be configured as 6 MADI I/O at 48kHz
• Support for dual second-generation Optocore loops
• UBMADI gives you 48 channels of computer recording and playback via USB
• 2 dedicated DMI slots make expansion a piece of cake (DMI interface option cards sold separately)
• 3 x 17-inch multi-touch screens with a meter bridge and soft quick-select buttons
• 70 individual TFT LCDs for displaying channel information and metering, bank information, macros, and more
• 38 touch-sensitive, motorized 100mm faders yield comfortable tactile control

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เครื่องผสมสัญญาณเสียงแบบดิจิตอล DIGICO Quantum 225 ราคาเฉพาะตัวมิกเซอร์ไม่รวม CARD และอุปกรณ์เสริมอิ่นๆ, 72-input with 25 Faders, 36 Buses, LR/LCR Master Bus, 12-in/12-out Processing Matrix, 155 Dynamic Equalizers, and 48kHz/96kHz Sampling Rate

The DiGiCo Quantum 225 is a compact digital mixer with a lot to offer, including 72 input channels, 36 buses, an LR/LCR master bus, and a 12-in/12-out processing matrix. This small-format digital console contains an abundance of useful I/O, including eight analog inputs, eight analog outputs, and four channels of AES digital, along with two MADI ports, Optocore support, and UBMADI.

You also get two dedicated DMI slots for even more expansion. High-performance signal processing, with DiGiCo’s Mustard Processing channel strips and Spice Rack insert effects, yields studio-quality mixes. Taking command of your mix is as intuitive as it gets, thanks to a 17-inch multi-touch screen, 41 individual TFT LCDs, and 25 touch-sensitive, motorized 100mm faders.

And the Quantum 225’s customizable left work surface will accommodate every workflow. For a compact mixer with top-shelf sound and pro-level features, look no further than the DiGiCo Quantum 225.

Features:

• 72 input channels, 36 buses, an LR/LCR master bus, and a 12-in/12-out processing matrix
• Mustard Processing channel strips with emulated tube preamplification, EQ, and dynamics processing
• Spice Rack provides powerful FPGA-fueled insert effects
• Local connections include 8 analog inputs, 8 analog outputs, and 4 channels of AES digital I/O
• 2 redundant MADI ports deliver 4 channels of MADI I/O at 48kHz or 2 channels of MADI I/O at 96kHz
• Add a single loop of Optocore with 504 channels and 14 DiGiCo racks or dual loops for 1,008 channels and 28 racks
• UBMADI gives you 48 channels of computer recording and playback via USB
• 2 dedicated DMI slots make expansion a piece of cake (DMI interface option cards sold separately)
• 17-inch multi-touch screen with a meter bridge and soft quick-select buttons
• 41 individual TFT LCDs for displaying channel information and metering, bank information, macros, and more
• 25 touch-sensitive, motorized 100mm faders yield comfortable tactile control
• Customizable left work surface accommodates laptops, controllers, and screens

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เครื่องผสมสัญญาณเสียงแบบดิจิตอล DIGICO X-SD7-WS Digital Mixer  MADI / HMA optics, 253 (MAX) Input Channels, 128 Aux / Sub-Group Busses, L/R/LCR Master Bus, 48 Digital FX , 32 Graphic Equalizers, Optional Waves Integration,  48/96/192 kHz Sample Rate, One loop as standard Optics

The SD7 is the console for you. Our flagship model offers mind-blowing I/O capabilities and sets new standards in high-density digital processing via our proprietary Stealth mixing and routing engine and game-changing, Super FPGA technology. To put that into perspective, it delivers eight times the power of our industry standard D5 Live.

Scratching the surface

A combination of technologies have been seamlessly integrated into the SD7’s worksurface to meet the everyday needs of any touring engineer. We’ve managed to pack them into three user-friendly interactive 15-inch high-resolution touch screens, each of which accommodates a bank of 12 faders,  to provide the user with the perfect platform – everything is just ‘where it should be’.

To make navigation even easier, we’ve added high-definition interactive meter bridges and multicoloured knobs and switches; and for further functionality and flexibility, 16 assignable faders (one bank of 12, one bank of four) sit neatly below the master screen in the centre of the console, taking the SD7’s fader tally to a sizeable 52.

To increase the fader count further for multi-engineer applications and shows, an EX-007 Fader Expansion unit is available. Two EX-007s can be connected via a simple Cat5e connector for remote control or simply to increase your fader count to 100.

What’s under the hood

If knowledge really is power, SD7 is our Einstein: it boasts a massive 256 processing paths at 48kHz/96kHz (or 128 at 192kHz).

Standard channel processing, whether inputs or outputs, includes Channel Delay, DiGiTube, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ (eight on outputs) with band curve selection and Dynamic EQ on each band, Dual insert points, DiGiCo’s DYN 1 (Compressor, De-esser or Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).

The master section incorporates 32 gangable 32-band graphic EQs, 48 stereo effects, and 36 control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.

In addition, we’ve included 128 busses, all of which are assignable as mono/stereo groups or auxiliary busses; and in addition to these busses, for further configurability, we’ve provided a 32 x 32 output matrix , dual solo busses, and a Master buss. Essentially, users have the equivalent of 160 busses of DSP at their disposal.

Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

The SD7’s local I/O includes 12 analogue inputs, 12 analogue outputs and 12 AES I/O (mono); and when coupled with a second engine, with four redundant MADI ports per engine, and one Optocore loop with the ability for an option for a second to be fitted. This amounts to a monumental 1392 I/O connections on a single optic loop with one worksurface.

In addition, there is an optional DiGiCo SoundGrid module which can be fitted to both engines for full redundancy when linked to two external PC servers such as SoundGrids or DiGiGrids. This provides the user with instant access to 32 fully integrated low-latency Waves stereo Multi Racks, each with the ability to have up to eight plugins per rack. That’s 128 I/O – and as you’d expect from DiGiCo, this is all additional I/O.

All Waves compatible plugins are pre-loaded, and as this is integral within the console, you have the added advantage of touch screen control; and all shapshots and session files are saved within the console. Click here for more info.

Features:

• 253 (MAX) Input Channels, 128 Aux / Sub-Group Busses
• L/R/LCR Master Bus, 32 x 32 Full Processing Matrix 2 Solo
• 256 Dynamic Equalizers, 256 DiGiTuBes
• 256 Multiband Compressors
• 48 Digital FX, 32 Graphic Equalizers
• Optional Waves Integration
• 48/96/192 kHz Sample Rate
• One loop as standard Optics

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เครื่องผสมสัญญาณเสียงแบบดิจิตอล DIGICO SD5-WS-OP MADI/HMA Optics , Up to 253 Input Channels, Up to 124 Aux / Sub-Group Busses, 24 x 24 Full Processing Matrix, 253 Dynamic Equalizers, DiGiTuBes, Multiband Compressors, 48 Digital FX, 32 Graphic Equalizers, 48/96kHz, Sample Rate Standard Optics

Digico SD5 is the modern-day incarnation of that console; think the D5 Live on steroids and you’re getting close! Yes, it fits directly into the D5’s shoes, but thanks to the inclusion of Stealth Digital Processing, floating-point Super FPGA technology, and a host of new features, it packs a far bigger punch.

Scratching the surface

Like the SD10, the SD5’s 37 faders are laid out in three convenient banks of 12 with one master fader with the added benefit of three 15-inch full colour TFT touch screens for even quicker access and multi-user applications. In addition, there are two interactive dynamic metering displays (IDMs) as used in its big brother, the SD7.

The centrally located master screen has been incorporated into the worksurface meterbridge design to provide a lower profile meter bridge and allow for complete user feedback; this means the engineer never needs to move far from mix position: there is clear visibility of everyone on stage, and all control is less than an arm’s length away.

To make life even easier, engineers can recall or save presets on the channel strip; and recall or save snapshots using the master screen or or dedicated switches on the console. In addition, special functions can be assigned and accessed instantly via the console’s 40 Smart Key Macros (accessible via four layers of 10 RGB backlit keys) at the push of a button. It really is that simple.

What’s under the hood

The SD5 provides up to 253 processing channels at 48kHz/96kHz.

Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ (eight on the outputs) with band curve selection, Dual insert points, DiGiCo’s DYN 1 (Compressor, De-esser or  Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).

The console also benefits from 253 Dynamic EQ processors, all of which are available on any of the input or output channels. These powerful processors offer dynamic processing on each of the four standard parametric bands, plus there are also 253 Multiband Compressors and 253 DiGiTubes; and no matter how the console is set up, the user won’t lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.

The master section incorporates 32 gangable 32-band graphic EQs, 48 stereo effects (selectable from a palette of 33), and 36 control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.

In addition, we’ve included up to 128 configurable busses, all of which are assignable as mono/stereo groups or auxiliary busses; and in addition to these busses, for further configurability, we’ve provided a 24 x 24 output matrix, dual solo busses, and a stereo/LCR Master buss.

Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

The rear of the SD5 houses all of the I/O, and there’s plenty: eight mic inputs, eight line inputs, eight mono AES I/O, four redundant MADI ports, and one Optocore loop. This amounts to an incredible 1264 I/O connections on a single optic loop with one worksurface.

In addition, there is an optional DiGiCo SoundGrid module which can be fitted to both engines for full redundancy when linked to two external PC servers such as SoundGrids or DiGiGrids. This provides the user with instant access to 16 fully integrated low-latency Waves stereo Multi Racks, each with the ability to have up to eight plugins per rack. That’s 128 I/O – and as you’d expect from DiGiCo, this is all additional I/O.

All Waves compatible plugins are pre-loaded, and as this is integral within the console, you have the added advantage of touch screen control; and all shapshots and session files are saved within the console.

Features:

• Up to 253 Input Channels
• Up to 124 Aux / Sub-Group Busses
• LR/LCR/5.1 Master Bus
• 24 x 24 Full Processing Matrix 2 Solo
• 253 Dynamic Equalizers
• 253 DiGiTuBes
• 253 Multiband Compressors
• 48 Digital FX
• 32 Graphic Equalizers
• Optional Waves Integration
• 48/96kHz Sample Rate
• Standard Optics

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ชุด Pack ดิจิตอลมิกเซอร์ DIGICO SD12 พร้อม D2-Rack และกล่อง Flightcase , for Live Sound, HoW, Install, Input Channels: 72, Faders: 26 x 100mm touch-sensitive, motorised, 2 x 15” touch screens, MADI interface: 2 Interfaces, BNC connectivity

In 2015, DiGiCo launched its compact S-Series, which boasted a modern workflow at an affordable pricepoint; last year, the whole SD Range became much more powerful thanks to the introduction of Core 2 Software across the board; now, in DiGiCo’s 15th year, meet Project Vulcan, the new SD12.

The SD12 is set to raise the bar in terms of what users will now expect from a compact, affordable, multi- application digital console. Not only is SD12 a true sonic powerhouse, it also benefits from dual 15-inch touch screens, never before seen on a console in this price bracket, and is the first in the SD Range with built-in recording interfaces; which makes Virtual Soundchecking very straightforward indeed.

Furthermore, the SD12 now includes a DVI output, for an overview of the console. New LED meters allow for a brighter, faster operation, and the SD12 Lightbar is identical to that of the SD5 and flagship SD7 consoles. And guess what? We even had space for two assignable master faders – only previously seen on the larger DiGiCo consoles – as well as dual DMI Slots, perfect for expandability.

Features:

• Compact in size
• Dual 15-inch touchscreens
• Advanced surface connectivity with optional DMI cards
• Latest generation Super FPGA
• Familiar work flow and control in a more compact frame
• Live Touring, Corporate, Install, HoW, Theatre & Broadcast

Connectivity

• 8 local mic/line inputs
• 8 local line outputs
• 8 mono AES/EBU in/out
• Dual MADI in/out
• Dual DMI card slots
• Optional dual Optocore loops
• UB MADI 24 channel USB interface
• 16 GPI/GPO, MIDI, Wordclock in/out
• Overview monitor output, USB, Network

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เครื่องผสมสัญญาณเสียงแบบดิจิตอล DIGICO S31 Three Touch Screens, 40 Flexi Input Channels, 16 Flexi Aux / Sub-Group Busses, 10 x 8 Full Processing Matrix, 8 Digital FX, 16 Assignable Graphic Equalizers, 96kHz Sample Rate, Optional (with DMI) Optics 

When the S21 was unveiled to the public, engineers were immediately drawn to it. Never before had a console so compact been capable of this standard of audio quality, power, flexibility, and you could fit in the back of your car!
Its two multi-touch touch screens broke the mould for small format consoles, with 21 faders, and bundles of I/O.
Now, DiGiCo has gone one step further. Meet the S31, the latest console in the S Series, which opens even more doors, allows for increased functionality and accessibility, all at an affordable price point. This time around, there are 31 faders, and three 10″ multi-touch screens… And it’ll still fit in back the of the car

Features:

• 40 Flexi Input Channels
• 16 Flexi Aux / Sub-Group Busses
• LR Master Bus
• 10 x 8 Full Processing Matrix
• 2 Solo
• 4 (To Follow) Dynamic Equalizers
• 4 Assignable DiGiTuBes
• 4 Assignable Multiband Compressors
• 8 Digital FX
• 16 Assignable Graphic Equalizers
• Optional Waves Integration
• 96kHz Sample Rate
• N/A Optics

Scratching the surface

It’s a given that with any DiGiCo product, audio quality is of paramount importance; the SD Series is testament to this, be it the rack mount SD11 or the flagship SD7, audio performance comes first. With the introduction of the S Series, DiGiCo used the same principles, developing a smart concept with the same core FPGA engine algorithms and processing, all running at 96kHz, which means no loss in audio quality or functionality.
The S31 is now the bigger version of the S21. The S31’s expanded work surface offers 10 additional faders for more control and two other multi touch screens for faster access and more visual feedback. Ideally suited to applications where more instant control and feedback are critical to the operator.
We at DiGiCo also know that many engineers like to keep their VCAs separate; this is now easily achieved, without compromising your preferred workflow with the option of dedicating a section to your VCA’s. Naturally these faders are in groups of 10, so there’s plenty of space to build a full production: why not layout a whole drum kit on one bank, an entire strings section on the second, and the band on the third? It just makes everything that little bit more accessible.
The S31 still offers the same flexibility as the S21, with 24x Mic inputs and 12x line outputs on the rear of the console, for straightforward audio connection. There are also 2x DMI ports as standard on the console as well as the UB MADI interface for DAW recording. It goes to show that big things do come in small packages.

How to make the step

To date, it has been the Tiger SHARC controlling the FPGA, but integrating these three technologies, along with networking capabilities, was a brand new challenge. Using the high power QuadCore SoC, associated with high bandwidth memory, S31 connects to a low power 484-ball array FPGA which in turn connects to fourth generation control SHARC DSP, capable of not only controlling the FPGA, but offering the potential for additional processing in the future. The compact footprint of the S31 has no relationship to the scale of processing power going on under the polycarbonate worksurface.

Three Touch Screens

Touch screens are now part of our daily lives, but if you go back to our digital beginnings, DiGiCo incorporated them in designs as long ago as 1997. Continuing their integration, with the advantages of speed of control and user feedback, meant that S31 had to bend the rules again. We utilised the latest P-CAP multi-touch screens for clear visual feedback and gesture control, but also did not limit the user to a single screen – by providing multiple multi-touch screens

The compact tripple screen design of S31 provides 10 channel strips per screen allowing the operator instant feedback and control on 20 simultaneous channels. This amount of instantaneous feedback offers total reassurance when mixing large shows, but the newly designed drag, swipe and drop channel layout system makes it simple for operators to move channels and busses across the surface to design their own custom fader layouts.
Whatever function you are using, there is an interactive meter where you would expect it, and helpful colour coding so you know which section you’re looking at, be it channel, aux, or group.
Visual feedback is all reinforced with the HTL functionality of the encoder rings, and anything not in use is automatically greyed out on the console so operator’s attention is drawn to the right controls.

The beauty of having three screens not only gives you more channels to view at any one time, but it allows you to utilise one as a setup or master screen, while still operating with the other. You are always looking in the same location, whatever function you have highlighted.
Touch the EQ screen, and you can choose to pinch, touch and drag your curves on the touch screen, or for a more tactile experience, use the rotary encoders to fine-tune your frequencies, then press to change function or switch on/off. It’s the same philosophy for all other processing functions within the console.
The new look screen designs are all developed under the flat designs philosophy, to aid the user learning curve and take away distraction from an operator. These new designs will still be familiar to existing DiGiCo users, but allow new operators to feel at home and ready to take advantage of the wealth of integrated processing.
Channel Bank Layout: as with all DiGiCo products, you can alter where the banks are located, and mix and match any channel, aux, group, control group, or matrix within a bank, with the ease of drag and drop, at the touch of a screen.

Interfacing

S31 comes complete with dual DMI (DiGiCo Multichannel Interface) option card slots, perfect for expandability, as it can interface with industry formats be it Analogue expansion, MADI, Dante, Waves SoundGrid, or Calrec’s Hydra 2 Network. All bases are covered.
The following modules are available. Click on a module name for a large photo.

• DMI-DANTE
• DMI-HYDRA 2
• DMI-MADI-B
• DMI-MADI-C
• DMI-AVIOM
• DMI-ADC
• DMI-AES
• DMI-DAC
• DMI-SOUNDGRID

Construction

As an audio engineer, when you first stand in front of an S31, it looks and feels remarkably inviting. You want to touch and control the audio. This level of connection with the audio sources and their manipulation is something the world’s leading audio engineers experience when they harness the powerful SD7. From the aerospace graded aluminium extrusion, the durable polycarbonate overlays, the RGB LED Hidden Til Lit technology coupled with touch sensitive faders / encoders and integrated LED light bar, you know it’s a DiGiCo before you turn the PA on. The S31 redefines industry expectations at its price point.

Options

The following options are available:

• D-Rack
• Waves SoundGrid Module
• Little Red Box
• Little Blue Box
• SD-Rack (with solutions box or Optics)
• SD-MINI Rack (with solutions box or Optics)
• SD-NANO Rack (with optics only)

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ดิจิตอลมิกเซอร์ Digico S21 มาเป็นชุดพร้อมใช้งานทันที ประกอบด้วย ดิจิตอลมิกเซอร์ Digico S21 Digital Console + D-Rack Stage Box + สายสัญญาณ Cat5 Touring Grade อีก75 เมตร 

• ราคาพิเศษรวม     Flight Case 466,275 บาท (จากราคาปกติ 621,700.00 บาท)

• ราคาพิเศษไม่รวม Flight Case 424,000 บาท (จากราคาปกติ 565,000.00 บาท)

รายละเอียดสินค้า:

• มิกเซอร์ดิจิตอล DIGICO S21 Digital Mixer
• Stage Box DiGiCo D-RACK single power supply
• สายสัญญาณ Cat5 Touring Grade 75 เมตร

The post Promotion ถึงวันที่ 31/7/61 เครื่องเสียงกลางแจ้ง มิกเซอร์ Digico S21 Packs appeared first on soundspacethai.com.