แร็คสำหรับใส่อุปกรณ์ปรับแต่งเสียง 500 Series Format, 8 I/O channels with XLR, USB audio interface with 28 in / 30 out, Monitor controller, 8 Channel discrete analogue summing mixer, Reference AD/DA converter, Compatible with macOS and Windows 

The Cranborne Audio 500R8 is the centerpiece to the modern studio. It’s a 28-in/30-out USB audio interface that combines a 500 series rack and high-performance AD/DA conversion with all of the connectivity required in the modern professional or home studio.

500R8 features the studio essentials that you need to build your dream studio such as an 8-into-2 high-headroom analog summing mixer, comprehensive monitor controller with talkback facility, 16-in/16-out ADAT interface, as well as a zero-latency analog artist mixer with reference-quality, high-powered headphone outputs.

Features :

• 28-in/30-out USB interface, summing mixer, artist mixer, and monitor controller

Low-latency USB 2.0 interface:

• Compatible with macOS and Windows computers
• ADAT I/O (16×16 channels @ 44.1/48kHz, 8×8 channels @ 88.2/96kHz)
• S/PDIF I/O; 5-pin MIDI I/O

High-performance A/D conversion:

• Dynamic range: 121dB A-weighted dynamic range, 20Hz–20kHz
• Frequency response: 2.2Hz to >80kHz (-1dB)
• THD+N: <0.00032% (-110dB) @ -4dBFS, 20Hz–40kHz (1kHz, A-weighted)
• Max input level: +24dBu

High-performance D/A conversion:

• Dynamic range: 121dB A-weighted, 20Hz–20kHz
• Frequency response: <1Hz to >61kHz (-1dB)
• THD+N: <0.0003% (-110.5dB) @ -4dBFS, 20Hz–40kHz (1kHz, A-weighted)
• Max Output Level: +24dBu
• Reference-quality internal master clock:
• Sample rates: 44.1, 48, 88.2, 96, 176.4, and 192kHz; <0.5ps jitter
• Dedicated word clock I/O via BNC
• External sync options using word clock BNC, S/PDIF, or ADAT

Monitor controller with talkback:

• Speaker A/B switching, mono check, dim, mute, and 28-segment peak meter
• Dedicated talkback input with phantom power, push-to-talk activation, and automatic routing to all headphone and C.A.S.T. facilities
• Easy-access illuminated front panel controls for all monitor controller functions

Analog summing mixer:

• 8×2 analog summing mixer with +26.5dBu of headroom and dedicated ADC
• Balanced 1/4″ jack outputs
• A.S.T. link port for increasing Summing Mixer to 16×2 using Cranborne Audio 500ADAT

Zero-latency Artist Mixer:

• Analog Artist Mixer with per-channel physical level/pan controls and DAW return blend controls
• 2 high-power headphone outputs with independent blend and level controls

Reference-grade headphone amplifier:

• THD+N: <0.0006% (-104.4dB) @ 20dBu, 1kHz A-weighted, 300 ohm load
• Output wattage (1kHz): 250mW x 2 @ 600 ohms, 650mW x 2 @ 220 ohms, 1.21W x 2 @ 100 ohms, 500mW x 2 @ 32 ohms
• Frequency Response: <1Hz to >70kHz (1dB)

High-current 8-slot 500 Series rack:

• Per-slot current: 250mA , 2A total for all slots
• XLR inputs, XLR line outputs, and TRS Inserts (pre-ADC) per 500 Series slot
• Module source switching options to send Analog, USB or external C.A.S.T. signals through 500 Series modules
• Per-slot module bypass switches allowing 500R8 to be used without 500 Series modules installed

C.A.S.T. compatible:

• A.S.T. ports per channel for routing analog I/O using passive or active C.A.S.T. breakout boxes via standard Cat 5 cable
• External power supply:
• 24V, 5A external locking power supply for improved analog audio performance and heat dissipation

Designed and engineered in the UK:

• Each 500R8 is extensively tested by a team of dedicated engineers to ensure reliability and consistency

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แร็คสำหรับใส่อุปกรณ์ปรับแต่งเสียง 500 Series-Format Cranborne Audio 500ADAT 8-channel ADAT Expander with 8 500 Series Slots, Cue Mixer, ADAT I/O, and Analog Summing, C.A.S.T. compatibility, 24v, 5 amp external locking power supply, Designed and engineered in the UK

The Cranborne Audio 500ADAT is the perfect tool to increase the I/O count of any ADAT-equipped audio interface.

It’s an 8-in/8-out ADAT expander that combines a 500 series rack with high-performance AD/DA conversion and ADAT I/O that allows any engineer to integrate the 500 series format into their studio using free ADAT I/O on the back of many popular audio interfaces.

500ADAT features analog essentials that unite digital and analog production workflows such as an 8-into-2 analog summing mixer, zero-latency artist mixer with 2 reference-quality headphone outputs, and true ADAT & SMUXII/IV transmission to enable operation at sample rates up to 192 kHz

Features:

• Super-flexible 8-slot 500 Series rack with advanced routing features
• A perfect way to expand your ADAT-equipped audio interface
• Sophisticated I/O includes insert points on each channel and ADAT
• ADAT lets you input eight channels from digital sources or expand your preamp/interface
• 8-to-2 analog summing onboard for smooth, high-definition mixdown
• Artist Mixer lets you insert a 2-channel DAW feed into the monitor out for zero-latency mixing
• High-quality headphone amps provide impressive output and exceptional full-range sound reproduction
• Top-shelf digital converters ensure wide stereo imaging and extraordinary audio clarity
• Dynamic Range: 121dB A-weighted, AES17 method, 20Hz–20kHz
• Frequency response: 2.2Hz to >80kHz (-1dB)
• THD+N: <0.00032% (-110dB) @ -4dBFS, 20Hz–40kHz, 1kHz, A-weighted
• Clock jitter: <0.5 picoseconds
• Designed and engineered in the UK

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ปรีแอมป์ไมค์สำหรับใส่แร็ค 500 Series-Format Cranborne Audio Camden 500, 500 Series Mic/Line/Instrument Preamp with Selectable Input Impedance, Variable Coloration, and Highpass Filter, Designed and engineered in the UK

The Cranborne Audio Camden 500 is a mic, line, and instrument preamplifier with truly impressive low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The net result is a stunningly clean, pristine, and natural-sounding 500 Series preamp module.

That delivers every source as a neutral canvas you can paint with your choice of analog and digital processing. But when you want vintage British tonal character, that’s where Cranborne’s Mojo circuit comes in.

Features:

• Fully-discrete, transformerless design featuring our custom ‘Camden’ preamp topology designed by our Director of Engineering – Edward Holmes
• Optimised for and fully-compliant with the 500-series format
  • Camden 500 is not a 19” unit shoe-horned into a 500-series module, it has been designed from the ground-up to perform under the low-voltage power rails and supply current limitations of the 500-series format whilst delivering groundbreaking performance
• Performs at the near-theoretical limits of noise, distortion, and phase/frequency linearity at all gain settings
  • EIN: <-129.5dBu, 150 ohm source, unweighted, <-135.5dBu, Inputs common, unweighted
  • THD+N: <0.0004%, 1kHz, 35dB gain, 24dBu out
  • Intermodulation Distortion: <0.0008%, 50Hz and 7kHz, 35dB gain, 20dBu out
  • Phase Shift: <2.25°, 40dB gain, 20Hz to 20kHz, <4°, Max gain, 20Hz to 20kHz
  • Freq. Response: <±1dB, <5 Hz to >200 kHz, all gain settings
  • CMRR: >70dB, typ >85dB, 35dB Gain, 10-20kHz, 100mV Common mode
• Optimised input Impedance and input headroom for Mic, Line, and Hi-z sources
  • Mic Preamp, Instrument Di, and – thanks to Mojo – line-level analogue saturator
• Custom ‘Mojo’ analogue saturation circuit with variable control, true bypass, and 2 discrete styles – Thump and Cream
  • Reamp tracks from your DAW through Mojo to apply analogue saturation to your stems, VST, and stereo mixes
  • Thump excites low-end content by boosting lower odd/even harmonics from a range of 160Hz to 20Hz and below
  • Cream boosts odd/even harmonics whilst also reducing the amplitude of the fundamental frequencies and applying typical transformer-style transient taming
• Gold Flashing on backplane contacts for increased conductivity and durability
• Designed & Engineered in the United Kingdom

The post ไมค์ปรีแอมป์ Cranborne Audio Camden 500 Series Microphone Preamp appeared first on soundspacethai.com.

ปรีแอมป์ไมค์พร้อมแอมป์ขยายหูฟัง Cranborne Audio Camden EC1 Mic/Line/Instrument Preamp & Headphone Mixer with Highpass Filter and Variable Coloration, C.A.S.T. Out port for connecting Camden EC1 to 500R8/500ADAT

The Camden EC1 is a mic, line, and instrument preamplifier featuring Cranborne Audio, an acclaimed Camden preamp, a Mojo analog saturation circuit, and a reference-grade headphone amplifier.

The Camden EC1 rocks truly impressive low-noise and low-distortion performance, as well as frequency and phase linearity at all gain settings.

The net result is a stunningly clean, pristine, and natural-sounding preamp that delivers every source as a neutral canvas you can paint, with your choice of analog and digital processing. But when you want punchy, vintage tonal character, that’s where Cranborne’s Mojo circuit comes in.

Features:

• Discrete, ultra-clean Mic/Line/hi-Z preamp with acclaimed Camden topology
• Performance at near-theoretical limits of noise, distortion, and phase/frequency linearity at all gain settings
• Bypassable Mojo saturation circuit with Thump/Cream analog saturation types
• Discrete headphone mixer with high-power, reference-grade headphone amplifier and two output jacks
• Balanced XLR output plus impedance-balanced ¼-inch output for maximum connectivity
• Dedicated impedance-balanced ¼-inch Link output for splitting instrument DI to balanced/unbalanced amps and effects
• External Line Input for connecting a mono playback source into the EC1’s monitor path
• Selectable 48V phantom power
• C.A.S.T. Out port for connecting Camden EC1 to 500R8/500ADAT and N22 C.A.S.T. breakout box
• External high-current 24V power supply with latching connector

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ปรีแอมป์ไมค์และ Headphone Mixer, Cranborne Audio Camden EC2, 2-Channel Mic/Line/Instrument Preamp & Headphone Mixer with Highpass Filter and Variable Coloration, C.A.S.T. Out port for connecting Camden EC2 to 500R8/500ADAT

The Camden EC2 is a 2-channel mic, line, and instrument preamplifier featuring Cranborne Audio acclaimed Camden preamps, Mojo analog saturation circuits, and dual reference-grade headphone amplifiers with discrete line mixers.

The Camden EC2 rocks truly impressive low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The net result is a stunningly clean, pristine, and natural-sounding preamp that delivers every source as a neutral canvas you can paint with your choice of analog and digital processing.

But when you want punchy vintage tonal character, that’s where Cranborne’s Mojo circuit comes in.

Features:

• 2 discrete, ultra-clean mic/line/hi-Z preamps with acclaimed Camden topology
• Performance at near-theoretical limits of noise, distortion, and phase/frequency linearity at all gain settings
• 2 bypassable Mojo saturation circuits with Thump/Cream analog saturation types
• 2 discrete headphone mixers with independent channel and Aux input level controls
• 2 high-power, reference-grade headphone amplifiers
• Balanced XLR outputs plus impedance-balanced 1/4-inch outputs for maximum connectivity
• Dedicated impedance-balanced 1/4-inch Link outputs for splitting instrument DIs to balanced/unbalanced amps and effects
• Selectable 48V phantom power
• C.A.S.T. Out port for connecting Camden EC2 to 500R8/500ADAT
• C.A.S.T. In port for connecting N22/N22H Cat 5 snakes for remote I/O
• External high-current 24V power supply with latching connector

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อุปกรณ์ปรับแต่งสัญญานเสียง 500 series Cranborne Audio Carnaby 500 Harmonic EQ, 3-band parametric 500 Series analogue EQ with unique Harmonic EQ™ circuit for harmonically-enriched EQ effects, Convenient 500 Series format

Carnaby 500 is a 3-band parametric EQ for the 500 series format with a unique and revolutionary EQ concept conceived and created by Cranborne Audio.

Carnaby 500 is the world’s first Harmonic EQ™ – an analogue EQ that uses harmonic saturation to boost and cut frequency content. It enhances your sources, stems and mixes with genuine analogue harmonic saturation with the feel, familiarity, and control of an equaliser.

Features:

• 3-band parametric 500 Series analogue EQ with unique Harmonic EQ™ circuit for harmonically-enriched EQ effects.
• 3-band, 500 Series Harmonic EQTM meticulously developed by the Cranborne Audio team in the UK.
• Parametric LO and HI shelving bands with ±10dB of cut/boost and harmonic saturation.
• Parametric peaking MID band with ±10dB of cut/boost, fixed Q and harmonic saturation.
• LO, MID, and HI LED indicators to display saturation level.
• ±20dB Input and Output Level for dense harmonic saturation or clean EQ effects.
• OptoSync wireless communication between modules for linked controls during stereo operation.
• ⅛” TRS socket for linking non-adjacent modules.
• Circuit auto-calibration for perfect stereo matching between all modules.
• True-bypass IN/OUT switching with complete or post input trim modes available on DIP switch.
• Stepped, front-panel controls for quick recall and precise feel.

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