ไมโครโฟนสปริทเตอร์ ART S8-3WAY eight channel three way microphone splitter, One direct and two transformer isolated outputs per channel, Balanced XLR input and 3 balanced XLR outputs per channel, High quality passive interface

The ​S8-3WAY​ eight channel three way microphone splitter is ideal for live sound, recording and broadcast applications where microphone and XLR balanced line level input signals have to go to multiple mix locations.

Each channel provides one XLR input, one XLR direct output with two additional transformer isolated XLR outputs for a total of 3 balanced outputs from each single microphone input signal.

Typical uses would include sending 8 direct signals through the ​S8-3WAY​ to a main Front-of-house mixer, with additional feeds going to a monitor mix station while transformer balanced isolated feeds are sent to remote recording desk or used for a broadcast feed.

The ART ​S8-3WAY​ features the same high-quality musical sounding transformers used in the popular ART ​S8​, and is housed in a standard 1U space rack-mountable steel chassis designed for years of reliable operation.

Features:

• High quality passive interface
• Eight high performance transformers
• One direct and two transformer isolated output per channel
• Balanced XLR input and 3 balanced XLR per channel
• Extremely wide frequency response
• Extremely low voltage insertion loss
• Reversible rack ears for added system flexibility
• Live Sound, Permanent/Fixed install, Studio applications

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ไดเร็คบ๊อก ART Dual RDB 2-channel passive direct box, Re-amping interface for multiple amps, Stereo/Dual direct box, Variable Input pad for mic or instrument inputs, Stereo Audio/Video interface to low level inputs

The Dual RDB is the ideal interface solution for any application where stereo or dual line level signals from recording interfaces, computers, mixers, iPods, consumer audio or video machines need to be connected to XLR microphone or ¼-inch instrument level inputs.

The unit has two high quality isolation transformers that prevent ground loops when connecting various systems together. The Dual RDB accepts 1/4″ TRS and XLR line level inputs and outputs mic or instrument levels.

The Dual RDB’s variable level controls allow volume control to be set at the source rather than in the studio, AV room, audio closet or installation rack. A 20Hz to 20kHz frequency response ensures the Dual RDB will function transparently with any high quality audio source

Features:

• Re-amping interface for multiple amps
• Stereo/Dual direct box
• Variable Input pad for mic or instrument inputs
• Stereo Audio/Video interface to low level inputs

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อุปกรณ์สำหรับช่วยป้องกันไฟย้อนกลับจากอุปกรณ์อื่นๆที่นำมาต่อพ่วงกับ Mixer ไม่ว่าจะเป็นแบบ Analog หรือ Digital ART DTi Eliminates ground loop noise without affecting signal, Passive Design,  XLR, 1/4-inch and RCA Inputs and Outputs, Works great in any studio, live sound or fixed installation

The DTI (Dual Transformer/Isolater) is a high quality totally passive audio interface that uses a pair of high performance transformers to totally separate input and output signal grounds, thereby isolating two systems and reducing hum and ground-loop noise.

The DTI’s audio transformers have an extremely flat and wide frequency response and can handle high signal levels while an isolated balanced output. This gives the DTI a very clean and neutral sound with a wide variety of maintaining signal sources. The transformers are wound for 1:1 unity gain and are designed to be used with impedances from 600 ohms to 100k ohms.

What further sets the DTI apart from other lesser isolation boxes is its connection versatility. We have provided XLR, 1/4″ phone, and RCA type phono connections on all inputs and outputs. This allows it to easily fit into virtually any audio system and be the clean patch point between all types of systems.

Whether you need an interface between a computer based audio workstation and your monitor system, isolation on long cable runs in a fixed installation, isolation of a signal source from your recording equipment, or in many cases, just a safer connection between two audio systems, the DTI can accommodate.

The compact black anodized all aluminum case and it’s passive design allow the DTI to provide years of trouble free service in Live Sound, Permanent/Fixed Install, D.J., and virtually any PA application. It’s full feature set, rugged construction, and high-end specifications make the DTI the obvious choice.

Features:

• Isolates Components in Sound Systems to Eliminate Ground Issues
• High Quality Transformers
• XLR, 1/4-inch and RCA Inputs and Outputs
• Rugged Anodized Aluminum Case
• Passive Design

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ไดเร็คบ๊อกสเตอริโอแบบ Passive Direct Box, Fully passive, high performance transformer design, No battery required, Switchable input attenuation (0, -20, -40 dB), Switchable ground lift, Converts 50k ohm inputs into 600 ohm balanced outputs, Switchable phase invert

The DUALZDirect provides two independent high quality totally passive interfaces that let you connect instrument, line, or speaker level signals to a mixer or other balanced inputs through high performance audio isolation transformers. Each of the high impedance single-ended 1/4″ inputs is converted by a transformer into an isolated, balanced, low impedance signal output.

The DUALZDirect’s audio transformers have an extremely flat and wide frequency response and can handle high signal levels. This gives the DUALZDirect a very clean and neutral sound with a wide variety of signal sources and over long signal runs in high noise environments.

The input ATTENUATOR switches allow for a wide range of signal levels and the input THRU jacks allows for tapping off of your signal chain. The GROUND LIFT switches let you totally separate the input and output signal grounds, when appropriate, to isolate two systems, thereby reducing hum and ground-loop noise.

What further sets the DUALZDirect apart from other “DI” boxes are its extended features and versatility. We have added switchable low pass FILTERs that cut out all very high frequency interference. These Bessel filters on the outputs are placed out of the audio range and are primarily intended to reduce radio frequency interference before it gets into the main system.

The filters are very effective in reducing any digital computer noise artifacts when using the DUALZDirect as an interface between a computer-based audio workstation and your monitors.

The PHASE INVERT switches, while not normally included with your “run of the mill” DI box, have been added to allow you to switch signal polarity right at the source. This feature is especially handy when you are combining a direct tap with a microphone feed in the mix.

The compact black-anodized all aluminum case and it’s passive design allow the DUALZDirect to provide years of trouble free service in Live Sound, Permanent/Fixed Install, D.J., and virtually any PA application. It’s full feature set, rugged construction, and high-end specifications make the DUALZDirect the obvious choice.

Features:

• Fully passive, high performance transformer design. No battery required.
• Converts 50k ohm inputs into 600 ohm balanced outputs
• Switchable input attenuation (0, -20, -40 dB) Switchable low pass filter
• Switchable phase invert
• Switchable ground lift (fully isolates inputs from chassis and outputs)
• Rugged extruded aluminum case

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ไดเร็คบ๊อกแบบ Passive Direct Box ART ZDirect Fully passive, high performance transformer design. No battery required, Switchable input (0, -20, -40 dB), Converts 50k ohm inputs into 600 ohm balanced outputs, Switchable phase invert, XLR connectors for balanced outputs

The Zdirect is a high quality totally passive interface that lets you connect instrument, line, or speaker level signals to a mixer or other balanced input thru a high performance audio isolation transformer. The high impedance single-ended 1/4″ input is converted by the transformer into an isolated balanced low impedance signal source. The Zdirects audio transformer has an extremely flat and wide frequency response and can handle high signal levels while still maintaining an isolated balanced low impedance output. This gives the Zdirect a very clean and neutral sound with a wide variety of signal sources and over long signal runs in high noise environments.

The Input Attenuator switches allow for a wide range of signal levels and the Input Thru jack allows for tapping off of your signal chain. The Ground Lift switch lets you totally separate the input and output signal grounds, when appropriate, to isolate two systems, thereby reducing hum and ground-loop noise.

What further sets the Zdirect apart from other “DI” boxes are its extended features and versatility. We have added a switchable low pass Filter that cuts out all very high frequency interference. This Bessel filter on the output is placed out of the audio range and is primarily intended to reduce radio frequency interference before it gets into the main system. The filter is also very effective in reducing any digital computer noise artifacts when using the Zdirect as an interface between a computer based audio workstation and your monitors. The Phase Invert switch, while not normally included with your run of the mill D.I. box, has been added to allow you to switch signal polarity right at the source. This feature is especially handy when you are combining a direct tap with a microphone feed in the mix.

The compact black anodized all aluminum case and it’s passive design allow the Zdirect to provide years of trouble free service in Live Sound, Permanent/Fixed Install, D.J., and virtually any PA application. It’s full feature set, rugged construction, and high-end specifications make the Zdirect the obvious choice.

Features:

• Fully passive, high performance transformer design. No battery required.
• Converts 50k ohm inputs into 600 ohm balanced outputs
• Switchable input attenuation (0, -20, -40 dB) Switchable low pass filter
• Switchable phase invert
• Switchable ground lift (fully isolates inputs from chassis and outputs)
• XLR connectors for balanced outputs
• Rugged extruded aluminum case

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เครื่องขยายสัญญาณหูฟังแบบ 4 ชาแนล ART HeadAmp4, 4 Output Channels Each with Individual Volume Control, with up to two users per channel, for a total of eight users, 1/4″ and 1/8″ connectors

The HeadAmp4 offers 1/8th-inch as well as 1/4-inch inputs and outputs as well as lower noise, lower distortion and more output in a new custom extruded stackable metal case.

Ideal for virtually any home or project studio, the ARTcessories HeadAmp4 easily adds additional headphone outputs to any mixer, computer audio interface, workstation, iPod, media player or laptop without creating any additional load on the existing headphone source.

Individual level controls for the four headphone outs, 1/4-inch and now 1/8th-inch connections allow the HeadAmp4 to connect to virtually any source, and drive any headphone configuration including studio phones, in-ear monitors or custom ear pieces or any combination of the above.

Features:

• 4 Output Channels Each with Individual Volume Control
• Stereo ¼-inch & 1/8-inch Inputs (Wired Parallel)
• Can be Connected to Any Line-Level Source or Headphone Output
• Four Stereo ¼-inch & Four 1/8-inch Headphone Outputs
• Power “On” LED

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ไดเร็คบ๊อก ART X Direct, Affordable Active Direct Box with Attenuation, Phase Invert, and Ground Lift Onboard – Runs on Battery or Phantom Power

The Xdirect is a high quality interface that lets you connect instrument, line, or speaker level signals to a mixer or other balanced input. The high impedance single-ended 1/4″ and XLR inputs are buffered and converted, by very low noise active electronics, into an isolated balanced low impedance signal source. The Xdirect has an extremely flat and wide frequency response and can handle high signal levels while still maintaining an isolated balanced low impedance output. This gives the Xdirect a very clean and neutral sound with a wide variety of signal sources and over long signal runs in high noise environments.

The Input Attenuator switches allow for a wide range of signal levels and the Input Link jack allows for tapping off of your signal chain. The Ground Lift switch lets you totally separate the input and output signal grounds, when appropriate, to isolate two systems, thereby reducing hum and ground-loop noise.

What further sets the Xdirect apart from other “Active DI” boxes are its extended features and versatility. We have added a switchable low pass Filter that cuts out all very high frequency interference. This Bessel filter on the input is placed out of the audio range and is primarily intended to reduce radio frequency interference before it gets into the main system. The filter is also very effective in reducing any digital computer noise artifacts when using the Xdirect as an interface between a computer based audio workstation and your monitors.

A Phase Invert switch, while not normally included with your run of the mill D.I. box, has been added to allow you to switch signal polarity right at the source. This feature is especially handy when you are combining a direct tap with a microphone feed in the mix.

The Xdirects active circuitry is powered by an internal 9volt battery, when external power is not available. In this mode it draws 3.5 ma which should give you more than 250 hours of operation off of a new battery. If phantom power is available, then the Xdirect will automatically draw its power from the external source. The Battery on/off switch lights dim when the unit is running off of the battery, lights brightly when it is running off of phantom power, and is off when the unit is inactive.

The compact black anodized all aluminum case and its flexible power design allow the Xdirect to provide years of trouble free service in Live Sound, Permanent/Fixed Install, D.J., and virtually any PA application. Its full feature set, rugged construction, and high-end specifications make the Xdirect the obvious choice whenever you have to interface high impedance sources with a low noise balanced system.

Features:

• A stylish and very compact durable aluminum chassis
• Input attenuator switches for a wide range of signal levels
• Phase Invert switch on the box for quick phase corrections
• An “input thru” jack that allows for tapping off of the signal chain
• A ground-lift switch that lets you totally separate the input and output signal grounds, to reduce hum and ground-loop noise

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ไดเร็คบ๊อก ART Dual X Direct, Affordable 2-channel Active Direct Box with Attenuation and Ground Lift Onboard – Runs on Battery or Phantom Power

The DUALXDirect provides two independent high quality active interfaces that let you connect instrument, line, or speaker level signals to a mixer or other balanced inputs. Each of the high impedance 1/4″ and XLR inputs (provided via “combo” jacks) are buffered and converted by very low noise active electronics into an isolated, balanced, low impedance signal output. The DUALXDirect has an extremely flat and wide frequency response and can handle high signal levels. This gives the DUALXDirect a very clean and neutral sound with a wide variety of signal sources and over long signal runs in high noise environments.

The input ATTENUATOR switches allow for a wide range of signal levels and the input THRU jacks allow for tapping off of your signal chain. The GROUND LIFT switches let you totally separate the input and output signal grounds, when appropriate, to isolate two systems, thereby reducing hum and ground-loop noise.

The DUALXDirect”s active circuitry is powered by phantom voltage from the OUTPUT connections or by an internal 9V battery, when external power is not available. When powered by a battery, it draws less than 7.5 mA which should provide more than 100 hours of operation with a new battery (alkaline recommended). If phantom power is available, then the DUALXDirect will automatically draw its power from the external source. The POWER ON/OFF switch lights more dimly when the unit is running off of the battery, lights more brightly when it is running off of phantom power, and is off when the unit is inactive.

The compact black-anodized all aluminum case and it’s active design allow the DUALXDirect to provide years of trouble free service in Live Sound, Permanent/Fixed Install, D.J., and virtually any PA application. It’s full feature set, rugged construction, and high-end specifications make the DUALXDirect the obvious choice.

Features:

• Fully Active Design
• Phantom Voltage or 9v Battery Powered
• Converts High-Impedance Balanced / Unbalanced Inputs Into 600 Ohm Balanced Outputs
• Switchable input attenuation (0, -20, -40 dB) Switchable low pass filter
• Switchable phase invert
• Switchable ground lift (fully isolates inputs from chassis and outputs)
• ¼-Inch TRS | XLR Combi Jack Inputs
• Rugged Extruded Aluminum Case

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ไมโครโฟนบันทึกเสียง ART C2 เป็นไมโครโฟนชนิดคอนเดนเซอร์, มีรูปแบบการรับเสียงแบบ Cardioid, ตอบสนองความถี่ 20 Hz to 20 kHz, Impedance 150 ohms, มาพร้อมกับ Shockmount และ Hard Carry Case

The ART C2 is one of the most versatile compact side-address wide diaphragm condenser microphones available. A cardioid polar pattern with two position pads and two position low frequency roll-off switches make it the ideal studio condenser microphone for solo vocal or instrument recordings where subtlety and clarity is paramount.

In live sound and remote recording applications, the C2’s cardioid pattern offers excellent feedback rejection and better isolation and will give you the best results on most vocal applications and a wide range of solo instruments including background brass and woodwinds, acoustic stringed instruments (violin, viola and cello), drums and percussion. It offers full frequency response at the front of the microphone with a very controlled and predictable proximity effect – the increased low frequency response when microphone is placed close to sound source.

Vocalists can use the proximity effect to their advantage, adding fullness and more ‘bottom end’ to the voice. Experienced vocalists can easily incorporate it as part of their overall microphone technique. (Note: The cardioid symbol on the microphone housing denotes the ‘live side’, or front face of the microphone that in all cases should face the performer.)

Controls on the microphone itself include a -6 & -12dB pad switch, allowing distortion-free reproduction of extremely loud at-source signals, and a two position -12dB/octave low frequency roll off at 100Hz & 200Hz that reduces unnecessary low end ‘boominess’ and low frequency interference.

As a condenser microphone, the ART C2 requires phantom power to operate. The microphone’s precision-tooled microphone body and dent resistant stainless-steel wire-mesh windscreen protects the internal electronics and microphone capsule ensuring unmatched long term reliability. The C2 comes equipped with an extremely secure custom shockmount. Aluminum carry case included.

Features:

• Exceptionally Warm Sounding FET Design
• Smooth Frequency Response
• Two Position Pad & Two Position High Pass Filter Switches
• 34mm Gold Sputtered Diaphragm
• Wide Dynamic Range with Low Noise Floor
• Secure Cradle Mount and Hard Case Included

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ไมโครโฟนบันทึกเสียง ART C1 เป็นไมโครโฟนชนิดคอนเดนเซอร์ มีรูปแบบการรับเสียงแบบ Cardioid, ตอบสนองความถี่ 20 Hz to 20 kHz มาพร้อมกับ Shockmount และ Hard Carry Case

The ART C1 cardioid condenser microphone delivers an exceptional quality and performance in a highly cost effective solution. The low-mass diaphragm high quality 34mm capsule delivers a clear tone with accurate sonic detail, making it perfect for a wide range of recording and live sound applications.

In live sound and remote recording applications, the ART C1’s cardioid pattern offers excellent feedback rejection and better isolation and will give you the best results on most vocal applications and a wide range of solo instruments including background brass and woodwinds, acoustic stringed instruments (violin, viola and cello), drums and percussion.

It offers full frequency response at the front of the microphone with a very controlled and predictable proximity effect – the increased low frequency response when microphone is placed close to sound source. (Vocalists can use the proximity effect to their advantage, adding fullness and more ‘bottom end’ to the voice. Experienced vocalists can easily incorporate it as part of their overall microphone technique.)

As a condenser microphone, the ART C1 requires phantom power to operate. The microphone’s precision-tooled microphone body and dent resistant stainless-steel wire-mesh windscreen protects the internal electronics and microphone capsule ensuring unmatched long term reliability. The C1 comes equipped with an extremely secure custom shockmount. Aluminum carry case included.

Features:

• Exceptionally Warm Sounding FET Design
• Smooth Frequency Response
• 34mm Gold Sputtered Diaphragm
• Wide Dynamic Range with Low Noise Floor
• Secure Shockmount and Hard Case Included

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